2015: Missing Texts

“The German Censors —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— idiots —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— —— ——”

— Heinrich Heine, Ideen: Das Buch Le Grand.

Missing Footage from The White Review.

“We haven’t seen the 20th century’s most important films: German films of the extermination camps (even if their shooting was officially forbidden); Soviet films of the gulag (Solzhenitsyn thought they were never made); Chinese films about the camps, which Wang Bing is finally beginning to shoot; scientific films about the splitting of the atom; films about those workers who, at the very end of the 19th century, never left the factory but were instead chopped up inside Chicago’s abattoirs. – Nicole Brenez

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